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Interview with Sensei Henry Ellis

This month MI Magazine has the pleasure of talking to Sensei Ellis of the Ellis Schools of Traditional Aikido, who has been active in Aikido since 1957. In this exclusive interview Sensei Ellis talks about Abbe Sensei, learning Aikido, Aikido as it was in the old "golden" days and much more...

MI: Thank you for taking the time to speak to MI Magazine. Can I begin Sensei Ellis by asking your age and rank?
I will be 69 years young on May 3rd 2005. Rank: 5th dan.
MI: Why and when did you begin training in Aikido?
Sensei Ellis: 1957.I was a time trial racing cyclist and a member of the first team of the Middlesex Road Club. I had a girlfriend who had a younger brother who wanted to start Judo in late 1956. She asked me to go along with him, as he was too nervous to go on his own. I went with him and found the experience appealed to me. I started Judo and the girls brother only stayed a few weeks, In 1957 I saw the legendary master Kenshiro Abbe sensei teaching Aikido, I decided to try this new art of Aikido, so for approx one year I did both Judo and Aikido, eventually I decided to concentrate totally on Aikido, almost 50 years later I am still involved.
MI: When you saw Kenshiro Abbe Sensei perform Aikido for the first time, what did you think?
Sensei Ellis: At that time I thought that Judo was great and I had also seen Abbe sensei teach Judo but his Aikido was different, not wide and flowing as we see a lot today, but close to the body with total body control. My immediate reaction was one of wonder and a surge of excitement, as I just knew this was for me. A lot of the Aikido we see now rely on the harmony of their uke, not with Abbe sensei, harmonize or not you were going and you knew that.
MI: Can you tell our readers a little about Aikido in its early UK days?
Sensei Ellis: We hear of dojo's being referred to as a Hell Dojo including the Hombu dojo, but without doubt the Hut Dojo was the Hell Dojo of all Hell Dojo's. The Hut was the first Aikido Dojo in the UK. The Aikido students were market porters and nightclub bouncers, there were some really tough guys training in those days,

The training was very physical, teachers such as Kenshiro Abbe sensei and Ken Williams Sensei spoke few words and as Abbe sensei would often say, " My English is poor but my shinai speaks fluently " a whack with a shinai on a certain part of the body was a clue to where you were going wrong. Like it or not you certainly learned quickly. I fitted well into this very strict regime because that kind of discipline was all that I had known all my young life as the son of a tough coalface miner. On reaching third Kyu (green belt) I was promoted to assistant to Sensei K Williams who was now the National Coach for British Aikido. Students often say that there is no kicking or punching in Aikido, there was in those early days in the UK and continues in my school today. The class always started with Karate style kicking and punching up and down the mat with a shinai to make sure you kept in time. This would be followed by 200 press-ups on the backs of the wrists, with fingers pointing both inwards and outwards. The training sessions were hard and non-stop, on occasions we would try the Aikido for real in the Hut Public House car park.

Sunday mornings were for special training for high grades only, the dojo doors would be locked and the dan grades would test their techniques for real against each other. There were only eight dan grades for Aikido in the whole of the UK and they were all in this one dojo, the spirit and camaraderie was such that visitors often said that it felt as if you reach out and take the atmosphere by the handful. That is something I have never experienced anywhere since those days.

MI: Do you think training like how it was done at the "Hut" would be accepted nowadays?
Sensei Ellis: Definitely not, they were a very special bunch, if we taught like that today we would have all the politically correct Muppets knocking on the door followed by the tree huggers. There is no doubt that this was a special time and Abbe sensei and the dan grades at the Hut were moulded for this. I don't expect students to train as we did in those early days, I would just like to see a little more commitment
MI: Aikido was a lot different when you began, why do you think it has changed so much in terms of training techniques?
Sensei Ellis: You ask me how Aikido has changed from those early days. That is a question that I still ask myself. I am not sure of the answer. I think it has changed a great deal with the obsession of the application of Ki in Aikido, I recall in the early days asking Abbe sensei about Ki when he made a rare reference to Ki during class, he replied " I will speak to you about Ki when you are dan grade, every technique I teach I am teaching you Ki within the technique, no need to speak of it ".
A great deal of Aikido is almost quasi religious with talk of love for your aggressor; you try telling a mugger who is threatening you that you love him.

One evening after class in the tough area of the Kings Cross Dojo in London, Abbe Sensei left the dojo and walking on his own was accosted by four muggers who demanded " Give us yer wallet " Abbe sensei stood for a moment and quickly weighed up the opposition before removing the wallet from his inside jacket pocket and throwing it at his own feet. The would be muggers were unsure of this action, and demanded that he kick the wallet towards them, Abbe sensei replied " No! I am prepared to die for my wallet! Are you?" The calm and the power of Abbe sensei
must have been very disturbing to these yobs and they gallantly threw a few swear words while making a wise retreat. Not a lot of love and harmony from Abbe sensei, simply an attitude and language these thugs understood. Most students have no heart for hard training anymore and whilst I accept that Aikido will change with time I am not happy with a lot that I see today, There is too much emphasis on grades and titles,
Abbe sensei would often say " Grades are unimportant, you are what you are and nothing more ".

A Japanese teacher once said to me " There are so many dojo's that call themselves martial arts dojo's, they are not martial arts dojo's they are social clubs ".

In 1967 Tadashi Abe Sensei went back to Japan and the Hombu dojo, he was very disappointed at how the Aikido there had changed, he looked around the dojo and apologised to all the ladies present and stated " This is not Aikido, this is Aikido for women " threw his diploma's on the mat and walked out never to return. This story is related in Aikido Journal. I also studied with Tadashi Abe who was not related to Abbe Sensei. He was a most intimidating martial artist and totally fearless.
.
MI: What teachings did Abbe Sensei give to explain the use of Ki and its relation to Aikido?
Sensei Ellis: Not much really that I recall, he would show that the application of Ki was a part of Aikido, his attitude was simply that he was teaching you how to breath during movement and application, why keep talking about it. Do it

MI: You have trained with some legendary figures, including Abbe Sensei, Nakazono Sensei and Williams Sensei, How do you remember your time on the mat with those mentioned?
Sensei Ellis: Kenshiro Abbe was the man who I would say I admired above all others and influenced my martial arts career the most, I always felt when Abbe sensei was on the mat that I was a privileged student. I still treasure those memories today.
Nakazono Sensei was also a very special person who's influence on British Aikido will always leave its indelible mark on all that knew him and their teachings to students
that only know him from our stories. I met with Nakazono Sensei in Sante Fe New Mexico in 1994 and that was a very special occasion for me as sadly Nakazono died in 1997 I remember in 1963 when Nakazono sensei asked me in front of a large seminar to punch him in the stomach, Out of respect I thought that I would pull the punch a little and still make it look good as I did not want to hurt him, he immediately realised what I had done, he was angry and threatened to hit me if I did not commit myself totally, I thought OK you asked for this and I went in with everything I had, all I know is that I did not make contact with him and I finished up sitting half way up a very large open fire place with my head up the chimney and my Gi covered in soot. Sensei Ken Williams was my direct teacher and mentor in those early days, he was a small man who had the total respect of every student, he was special with that aura about him that very few people have in life, I spoke to him last week for the first time in many years and I still felt that sense of admiration and respect that I held in those very early days.
MI: Did Sensei Williams have a particular method of teaching?
Sensei Ellis: Yes he did, it was hard and positive and also very powerful, he is now teaching Ki Aikido but behind him he has the power of his traditional training, I suppose really he followed the teaching of Abbe sensei but with his own interpretations.
MI: Have you ever trained in Japan?
Sensei Ellis: No, I am very proud to have my certificates signed by O'Sensei yet I never did get to travel to Japan, I once asked Nakazono Sensei if he would give his permission and a letter to visit the Hombu dojo, he asked " Why do you want to go to Japan?? " I tried to explain my reasons and he replied, " There are no teachers left in Japan, all the best teachers are travelling the world teaching " I never approached the subject again.
MI: What are your thoughts on O'Sensei?
Sensei Ellis:All the early teachers were direct students of O'Sensei so the teaching and philosophy of that time was that of O'Sensei. The old teachers would often speak with great reverence for O'Sensei and of course that would in turn have a profound effect upon our studies. I have often stated that most people are doing the Aikido of O'Sensei as an old man which is greatly influenced by age and his philosophical
ideals, yet we should be in no doubt that as a younger man he was a very powerful man and truly a modern samurai, just look at some of the photos of him in his 50's and you will see the power and spirit of this great teacher.
MI: Can you see any changes to come for Aikido in the future?
I would like to see it go full circle to being a martial art again one day. I saw a sixth dan recently with six attackers, sorry I mean uke's, as they came forward they were just break-falling towards this 6th dan, he appeared to be quite pleased with himself, I found it very embarrassing for Aikido. I saw another 6th dan throwing a uke all over the mat with his big toe, I expected some laughter until I realised he was very serious. I saw another 5th dan teaching Ikkyo, he left his uke with his right arm in the air as he left the mat to collect some large red plastic sticky arrows which he placed all around his feet to indicate his direction until his uke told him the arrows were the wrong way round. The mat looked like a weather map. Yes I have many concerns.
MI: How do you spend your time when you are not doing something related to Aikido?
Sensei Ellis: I like to draw and paint in the artistic sense. I am also an avid reader on ancient history and I enjoy nothing more than to visit castles and museums.
I have not had the time to spend on those interests for a while with so much happening in my Aikido. The book Positive Aikido has now been published and I receive a lot of correspondence from that quarter, I have had a long battle to preserve and
protect the proud history of British Aikido in the well known " British Aikido Controversy " now the truth has been established without any doubts. I am now involved in the " Kenshiro Abbe Celebration Seminar May 14th 2005 Crystal Palace London " after that I would like nothing better than to sit back and either paint or read.
MI: If you could invite any six people to dinner who would you choose and why?
Sensei Ellis: Actors and musicians do not impress me so I would not consider anyone from that area. I would like to sit down with people that I know are honest with proven integrity. I would invite the old dan grades from the early days at the Hut, knowing that there would never be a pause in the conversation, which would flow with the wine. I would invite Sensei Williams, as he was the man that made all the early Aikido possible. Also Sensei Haydyn Foster who's deep throated laughter is contagious which would add to the atmosphere, and Sensei Ralph Reynolds who's sober judgment would help to keep order. Sensei Eric Dollimore who taught me a very important lesson in life, never under estimate anyone after he threw me through the office wall in the dojo one Sunday morning after a real fight, he could throw me out if I got out of hand. I would like to include Sensei Dave Rogers from New Mexico USA and the author of the book Positive Aikido; he could monitor all of the evening's conversations and write another book.I would finally invite Sensei Derek Eastman who has been my closest friend for over 47 years. He would make sure there was no food or drink left to clear away the next day.

Henry Ellis
Co/Author Positive Aikido
Websites: www.EllisAikido.org
www.geocities.com/britishaikido

 

 


by Paul Swainson
http://www.misogi.com.au

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