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Exclusive Interview with Cath Davis Sensei
This month MI Magazine talks with Cath Davies Shidoin of the United Kingdom Aikikai. In this exclusive interview Cath Davies Shidoin talks about her early days in Aikido, competition Aikido and her personal development plus much more…
MI: Can I begin by asking your Rank?
Cath Davis Sensei: I am 5th Dan so Hombu and a Shidoin of the United Kingdom Aikikai.
MI: How did you become interested in Aikido?
Cath Davis Sensei: I began aikido when I was 13 years old. At that time I sang in a church choir and the aikido class met in the church hall after choir practice finished. I used to see them bowing, and doing breakfalls and something about it caught my imagination. I seem to remember that I had to nag my mother a bit to let me start. I can still remember my first night - being taught how to breakfall and really loving it. I immediately asked my instructor, David Bushell, where I could buy a keikogi and he advised me to wait a few weeks to see if I was really sure that I wanted to continue. 24 years on and the rest, as they say, is history......
MI: Which people influenced you most during your earlier days?
Cath Davis Sensei: I consider myself very fortunate to have started aikido with Bushell Sensei: he had a great attitude (in many ways no "attitude"....) to aikido and so I grew up thinking that everyone would be like him. Over the years I've found this not to be true, of course, but many of the lessons I learned from Bushell Sensei have remained with me.

I have trained with Peter Brady for 20 years and so, of course, he has also influenced me greatly. In fact, I can see now that it is only because I had such a good grounding in aikido from Pete that I have been able to pursue a change of direction in my aikido since 1999.

In terms of technical influence, both directly and through my sempai, Chiba Shihan was the biggest influence on my aikido until I met Endo Shihan in 1999 - more of that later!

MI: Have you noticed much change in Aikido since your days as a beginner?

Cath Davis Sensei: Yes, definitely. Obviously, I have changed and developed over the years but there has, I think, also been a global shift. When I started, although we took ukemi it was really just about falling and, if I'm honest, the bigger, louder and flashier the fall was the better. Chiba Shihan's aikido is very positive and dynamic and this naturally influenced the students at that time. There seemed to be a "I'm a big tough martial artist who can take anything. You should also be able to take anything and so I'm going to slam you through the mat as hard as I can" attitude. In recent years, through Chiba Shihan, we have developed a more sophisticated understanding of ukemi. As my sempai have matured and developed they have led the way in bringing about a change in emphasis. Many of them retain their partialness for positive technique but it is tempered by greater technical ability and, of course, the benefit of 30 or 40 years experience!

MI: Why do you think Aikido is not as popular as say Karate or Judo?
Cath Davis Sensei: There are several reasons, I think. Traditional aikido is still a "do" - (way) - it is not a sport. I was teaching on a joint judo, karate and aikido course recently and the judo instructor said 2 things that stuck in my mind:

· "the worst thing that happened to judo is that it became a sport"

· "the most important thing is to get them down".

 
 
Aikido does not always fit people's [stereotyped] idea of what a martial art should be: there is etiquette to be followed - "why??" and there is no competition - "so how do you know it works??"

Aikido seems to be harder to learn than other arts: it is less formulaic. Thanks to the second Doshu, Ueshiba Kisshomaru, aikido does now have more of a structure than when
O Sensei was alive. I read an interview with Terry Dobson in which he said that he felt O Sensei wasn't interested in whether you were learning what he was teaching: he was there developing aikido and so taught whatever he was working on at the time. Friends who study other arts say things to me like "we are working on the syllabus" and "because I'm only 5th kyu, I never do any techniques that aren't on the 5th kyu syllabus". Whilst it is possible to teach in a systematic, syllabus orientatedway, my
 
 
guess is that most of us don't - I certainly don't! I think it is important to teach principles along side "kata" (form). This may appear to be a bit random but aikido is something you assimilate over a number of years with pieces of the jigsaw falling into place at different times - times that are personal and relevant to each student. This approach may not suit everyone: if we're going on a journey we like to plan it out - know where we're starting from and know where we'll end up; know the time we can expect to reach key milestones along the way, against which we can judge how far we are from the destination. With aikido, possibly the only bit we know is the starting point and often, having started the journey, we realise that the starting point wasn't where we thought it was either!!

MI: What do you think about introducing some form of competition into Aikido?
Cath Davis Sensei: You can probably tell from my answer above that I'm not in favour of it. Once winning becomes the goal it changes, by necessity, the focus and the reasons for training. The word aikido is made up of 3 kanji: "ai" - to meet, join, harmonise etc; "ki" - energy (for want of a better word) and "do" - way or path. So, aikido could be translated (and this is my favourite) as "the way of harmonising with
energy". In my experience, when the primary motive is to "get them down", harmonisation goes out of the window. What you're left with is a fight with a winner and a loser: aikido is not about fighting or winning or losing.
MI: Do you think enough is done to popularize Aikido?

Cath Davis Sensei: This may be a little controversial, but why do we want / need to popularise aikido? Of course, to survive financially, dojos need members, but to "popularise" do we offer gimmicks to attract students? Do we charge an exorbitant fee for gradings, thereby giving an illusion that it's worth something? Is the person who's attracted to these kind of things the kind of student that aikido needs? True students will either seek aikido out (or stumble across it!) or continue on the path all their lives.

MI: Have you ever trained in Japan?
Cath Davis Sensei: Yes, I've been twice. In 1999 I went on a 2-week trip organised by Yamada Shihan (New York Aikikai). In 2004, I went to Endo Shihan's hometown of Saku (in Nagano) to take part in the seminar to celebrate the 10th anniversary of Aikido Saku Dojo.
MI: If yes, Was it how you imagined it would be?
Cath Davis Sensei: Yes, I suppose it was. On my first trip I had plenty of opportunity to train at the Hombu Dojo. This was amazing and I spent lots of time walking around with a huge smile on my face - I was just so happy to be in Japan with Yamada Sensei (who organised the trip wonderfully); I wassharing a room with 2 American aikido students and having a fantastic time with them, oh, and, of course, there was the aikido!! One of the great things was finding that the aikido there was pretty much the same as I'd been practising in the UK. It was a very affirming experience.

It was on this trip that I had my aikido epiphany: I met Endo Shihan. My aikido was turned upside (as he was turning me upside down so effortlessly!). On the aikido spectrum, Chiba Shihan (my main influence to date) was at one end and Endo Shihan was at the other end. I was completely blown away by him! His technique was so soft yet absolutely controlling; his body was very relaxed and I kept ending up on the
floor, unable to work out how I got there and unable to get up. I came back from that trip with so much more than I had anticipated: 2 new friends, Mary & Karen; a desire to travel to do aikido (I've always been apprehensive of flying and, in fact, my flight to Japan was my first ever flight!) and a totally new direction for my aikido. Not bad for a 2 week holiday!!
MI: Have you mentally or physically noticed a change in your Aikido from Shodan to Godan?
Cath Davis Sensei: Yes, mainly thanks to Endo Shihan. However, even if I hadn't met him, if there had been no mental or physical change then I would expect to still be Shodan!

I guess I fell into the trap that many people fall into at Shodan: intellectually, I knew it wasn't the end but rather a beginning (shodan means "beginning step"), but I was frustrated that I couldn't always make techniques work.
I think I have a more
 
 
realistic and honest approach now: there are some techniques that don't suit me and so I don't often do them; there are some techniques that I know I don't do well and need to practise more; there are techniques that I usually do well but occasionally don't and that's OK!! Let it go, move on...

In terms of my physical aikido, Endo Sensei's influence has made my aikido much softer - but still dynamic. I find it much more interesting and challenging to see if my aikido works when I'm not using strength. After all, its no big deal if you can control somebody by strength alone, is it?

MI: Has there ever been a time when you have had to use Aikido to defend yourself or others?
Cath Davis Sensei: No, not physically but I used to work in hostels and night shelters for homeless young people. I think there were a few situations I was able to diffuse by being able to remain calm, focussed and centred.
 
 
MI: What advice would you give to a student who becomes frustrated?
Cath Davis Sensei: Don't give up!! You only fail when you give up. Having said that, I think it should be acknowledged that progress in aikido, as in any physical activity, is largely governed by natural ability.
Therefore, it is important that both student and instructor are honest about their potential. Just because you can swim it doesn't mean that you'll ever be an Olympic swimmer. The good thing about aikido, and specifically not having competition, is that students of mixed abilities can train side by side. The very gifted student is no more or less valuable than a student who trains diligently but finds it difficult.
 
 
MI: In an "ideal" world, where would you like to see Aikido in the future?
Fewer schisms; smaller egos; greater tolerance.

Cath Davies
Shidoin
Myo Shin Juku
United Kingdom Aikikai
www.miyo-shin-juku.freeserve.co.uk/

 

 


by Paul Swainson
http://www.misogi.com.au

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