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Twilight
Samurai
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Director Yoji Yamada was in his seventies
when he undertook Twilight Samurai
and you could really sense during
the movie a mature and exact feeling
in his directing. Prior to watching
this movie I had heard many people
say how wonderful a movie it was and
Yamada has some very good movies in
his portfolio, also it was going to
be interesting to see Min Tanaka (Yogo
Zenemon) in his first motion picture
role.
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I
have been lucky enough to have seen some fantastic
movies telling tales of Samurai in feudal
times and within five minuets of watching
Twilight Samurai I knew it would be one of
the very best.
The
story is so simplistic and gritty that it
would almost spoil it to mention a single
thing, instead allow the readers to watch
as the most beautiful and sincere story is
told through the voice of a female, who we
later find out to be the main character's
daughter.
Twilight
Samurai is set in the feudal Japanese time
where the rule of the Shogun is falling
and the Emperor alone will soon rule Japan.
The
movie revolves around Seibei Iguchi (Hiroyuki
Sanada) who is at the lower end of the Samurai
class structure, his wife has recently passed
away leaving him to care for his two children
and an aged mother who is suffering dementia.
Seibei
works at his clan's castle as a bookkeeper
for food supplies and his co-workers bestowed
upon him the nickname "Twilight Seibei"
for his lack of socializing with them at
local drink taverns outside of work.
When
Seibei's old friend Michinojo Iinuma (Mitsuru
Fukikoshi) and fellow clan member returns
from a trip to Kyoto he tells Seibei that
his sister is back living in his household
after a nightmare marriage to an abusive husband,
he tells Seibei that she is now divorced something
that obviously makes Seibei happy.
We
learn that Linuma's beautiful sister Tomoe
(Rie Miyazawa) and Seibei were Childhood
friends and when the two meet after such
a long time you can certainly see there
is a fondness for each other. Up to now
director Yamada has gently taken the viewer
by the hand and introduced key characters
in such a subtle way we can almost feel
like we are watching old friends. Slowly
and surely Yamada tightens the viewers attention
and we see Seibei walking Tomoe to the Linuma
house where her drunken ex-husband is causing
trouble with her brother, the ex-husband
challenges Linuma to a duel but at that
point Seibei steps in to take up the challenge
and arranges to meet the next day to duel.
When
Seibei turns up at the duel with a wooden
sword his opponent takes this as an insult
and tells Seibei that he will be cut down
with his blade.
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The
viewer soon learns that Seibei is a very
skilled swordsman and easily knocks his
aggressor out. The outcome of this duel
gets to the attention of a certain Yogo
Zenemon (Min Tanaka) who is Master of the
Watch at the castle and an obviously serious
and dangerous swordsman, the meeting with
these two men at Seibei's work place is
very interesting and I am sure Yamada was
quietly proud of himself that he managed
to get someone of Tanaka's talent for the
role of Zenemon.
Further
trouble is ahead as the clan's lord dies
and in fighting between clan members soon
erupts. Being a low ranking samurai Seibei
carries on with his life and whilst the
clan is sorting itself out he turns to farming
and caring for his family, but it will be
a peaceful life short lived as a messenger
is sent to him to report to the castle for
orders straight away.
We
learn that the clan's headsman have ordered
Zenemon to commit Seppuku and he has told
them he will do no such thing and barricaded
himself in his house, the clansmen attempt
to send a skilled swordsman to kill Zenemon
did not have the desired result and they
had heard rumours that Seibei was handy
with the sword.
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As
you would expect the two men meet and it
is a very blunt and life like fight the
two have, but for me this is where Yamada
shines and the dialogue the two men have
is very powerful and respectful. The conversation
these two Samurai have and the action taken
by Zenemon caused much debate amongst the
film industry critics.
I
have to say that for those who like kill,
kill, blood, blood type samurai movies this
is certainly not for you. One of the reasons
this movie was such a success was that it
dealt with what Yamada believed was a more
common life in feudal Japan not the typical
swashbuckling action we tend to watch, and
the Japanese audience found they could relate
much more with the characters hardship and
mundane life. Not only did this movie win
12 Academy Awards in Japan but was also
nominated for an Academy Award for best
foreign film, and that's no surprise after
watching it. A beautiful story of humanity,
honor and love and one I highly recommend
seeing.
by
Paul Swainson
http://www.misogi.com.au
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Studet
Interview with Darren Pratt
by Paul Swainson |
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Aikido
and the Art of Atemi
by Phil Buck |
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Look
and Feel in Karate Training
by John Krrling |
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Progression
in Brazilian Ju-Jitsu
by Roy Harris |
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